Turkey Red Journal
Volume 15 Issue 2 | A Journal Dedicated to Natural Dyes | Spring 2010 |
Nature's Gallery |
Judilee Fitzhugh and Laura Mellick |
Judilee Fitzhugh |
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As a textile artist, I have a special affinity for vintage fabrics and garments. I appreciate the history associated with individual textiles and hope to add to that history by reusing the fabric in innovative ways. These fabrics are embellished and incorporated into new textile works, elevating them to a newer level of appreciation. When I dye my own fabrics, I work exclusively with natural fibers and a natural plant dye process. I produce a line of one-of-a-kind wearables and accessories using hand stitching and couture construction techniques. It's the details inherent in the artistic endeavor that are most interesting to me. | ||||||||
Indigo Rust Snowflake, 2005 Fold and clamp shibori with enclosed metal washers, indigo dye on silk organza | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Leaf Shibori, 2009 Fold and clamp shibori with enclosed Dogwood leaves, copper mordant, silk organza | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Spa Noren, 2004 Indigo and Logwood on Handwoven cotton/linen panels. Logo handpainted with indigo, logwood, osage orange on soy milk base. | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Red Shibori Jacket, 2007 Logwood and Brazilwood dyes on silk organza, vintage shibori kimono lining, logwood and brazilwood dyed silk embroidery thread. | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Our House Jacket, 2009 Logwood with iron mordant on Shantung Silk Organza, vintage kimono, hand-printed silk damask. | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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After 22 years of active duty as an Electronics Technician in the U.S. Navy, Judilee retired to spend time with her husband and daughter in Portland, OR. She's been involved in textiles—sewing, weaving, quilting—since she was very young. She even carried my sewing machine and a lap-sized loom with her when she was at sea for long periods of time in the Navy. A tour of duty in Yokosuka, Japan led her to a lifelong interest in vintage kimono and other textiles, which she incorporates into my work. Judilee is currently an adjunct professor and part-time studio manager in the Fibers Department at Oregon College of Art & Craft. | ||||||||
Laura Mellick |
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8-Gore Skirt, 2008 Variety of silk fabrics; Alum, Copper and Iron mordants with Alder | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Screen Printing, 2010.1 (Detail) Hemp/cotton. Oxidized metal, logwood dye; Surface design (screen printing with indigo and logwood), bound with walnut dyed organza. | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Screen Printing, 2010.3 Hemp/cotton. Oxidized metal, logwood dye; Screen print on cotton/hemp muslin using soy, logwood, brazilwood, potato dextrin, with machine embroidery. 20" x 72". | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Screen Printing, 2010.3 (Detail) Hemp/cotton. Oxidized metal, logwood dye; Screen print on cotton/hemp muslin using soy, logwood, brazilwood, potato dextrin, with machine embroidery. | ||||||||
Photograph Copyright by Judilee Fitzhugh |
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Dr. Laura Mellick is an emergency room physician by night and a Post-Bac student of Judilee Fitzhugh by day. She's a New York native who has lived in Portland for 17 years and has been participating in the Extension Program classes at OCAC for 16 of those years! She has always had an interest in fiber-related techniques and took mostly quilting design and surface design classes. She became a devotee of natural dyes about 4 years ago. A process-oriented individual, she loves the variety of techniques available to individualize her textiles. | ||||||||